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home·artworks·Miss Martindale
Miss Martindale by George Romney

plate no. 0024

Miss Martindale

George Romney, 1782

oilRococoportraitportraitgirlsheeplandscapedressbonnet
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding soft, diffused lighting and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the girl, sheep, and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Begin blocking in the main colors of the background, focusing on the soft transitions and atmospheric perspective.

  4. step 04

    Start developing the skin tones, using subtle variations of pink, yellow, and white.

  5. step 05

    Paint the white dress, paying attention to the subtle shadows and highlights that define its form.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth, ensuring accurate proportions and expression.

  7. step 07

    Refine the details of the sheep, including its wool and facial features.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · burnt umber · cadmium yellow light · alizarin crimson

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing white, yellow, and red with small amounts of blue and brown for shadows. Mix white with a touch of blue for the dress highlights and shadows.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Getting the proportions of the face wrong.
  • →Ignoring the importance of atmospheric perspective in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium yellow light oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can be helpful.

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