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home·artworks·Mirmande (with Surrounding Hills)
Mirmande (with Surrounding Hills) by Dorrit Black

plate no. 7335

Mirmande (with Surrounding Hills)

Dorrit Black, 1934

oilCubismcityscapevillagehillsbuildingstreeslandscapesky
some experience helpful

Recreating this painting will help students understand simplified forms and color blocking to represent a complex scene. It also provides practice in creating depth through color and value variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the hills, buildings, and trees, focusing on overall composition.

  2. step 02

    Block in the large areas of color for the sky, hills, and foreground using thinned paint.

  3. step 03

    Define the shapes of the buildings with darker and lighter values of the base colors.

  4. step 04

    Add details to the buildings, such as windows and roofs, using small, precise brushstrokes.

  5. step 05

    Paint the trees with simple, elongated shapes, varying the green tones to create depth.

  6. step 06

    Refine the foreground with details like the path and the low wall, paying attention to perspective.

  7. step 07

    Add highlights and shadows to enhance the three-dimensional effect of the landscape.

  8. step 08

    Review the painting and make any necessary adjustments to color, value, and detail.

color palette

primary · burnt sienna · raw umber · yellow ochre · titanium white

secondary · sap green · cadmium red light · ultramarine blue

Mix various shades of brown and green by combining the primary colors. Use white to lighten the colors and create highlights. Add a touch of blue to darken the shadows.

techniques

  • ·color blocking
  • ·simplified forms
  • ·atmospheric perspective
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overcomplicating the details of the buildings
  • →Using too much detail in the foreground
  • →Not creating enough contrast between light and shadow
  • →Failing to simplify the forms of the landscape

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#2 round brush
  • ·#6 flat brush
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-tooth canvas for best results. Thin the oil paints with linseed oil or odorless mineral spirits for easier blending.

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oil painting for beginners →how to learn by studying the masters →
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