
plate no. 3211
André Lhote, 1956
Recreating this painting will help students understand the principles of cubism and how to break down complex scenes into geometric shapes. It also provides practice in color mixing and applying paint in distinct, visible brushstrokes.
technical profile
approach — 8 steps
Lightly sketch the main shapes and lines of the composition, focusing on the geometric forms.
Block in the large areas of color, starting with the background and working towards the foreground.
Mix the specific shades of yellow, green, gray, and brown needed for each area.
Apply paint with visible brushstrokes, following the direction of the shapes.
Add details to the buildings and trees, using darker and lighter shades to create depth.
Refine the edges of the shapes to create a sense of separation and definition.
Add the small details and patterns within the larger shapes.
Step back and assess the overall balance and harmony of the painting.
color palette
primary · yellow ochre · sap green · titanium white
secondary · burnt umber · gray · orange
Mix greens by combining yellow and blue, and use white to lighten colors. Create grays by mixing black and white with a touch of brown or blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to enhance the visibility of the brushstrokes. Acrylics are faster drying and easier to clean, while oils offer richer colors and blending capabilities.
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