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home·artworks·Miracle of Roses
Miracle of Roses by Octavio Ocampo

plate no. 5190

Miracle of Roses

Octavio Ocampo

oilSurrealismreligious paintingportraitangelsarchwaydogreligious figuresroses
experienced study

Recreating this painting will help students develop skills in portraiture, blending skin tones, and creating subtle value shifts to define form. It also provides practice in layering and glazing to achieve a luminous effect.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the large shapes and proportions of the face and archway.

  2. step 02

    Block in the main areas of color, starting with the background and then the skin tones.

  3. step 03

    Begin layering and blending the skin tones, paying close attention to the subtle value changes that define the form.

  4. step 04

    Add the details of the eyes, nose, and mouth, using small brushes and precise strokes.

  5. step 05

    Paint the archway, focusing on the texture and color variations of the bricks.

  6. step 06

    Add the angels, paying attention to the drapery and the way the light falls on their forms.

  7. step 07

    Incorporate the hidden figures within the face, using thin glazes of color to create a subtle effect.

  8. step 08

    Add final details, such as the roses and the dog, and adjust the overall values and colors as needed.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ivory black · yellow ochre · cadmium red light

Achieve the skin tones by mixing raw umber, burnt sienna, and titanium white in varying proportions. Use yellow ochre and cadmium red light to add warmth to the skin tones. Mix ivory black with raw umber to create the dark tones for the hair and shadows.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·layering
  • ·trompe-l'oeil

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle value changes that define the form.
  • →Making the hidden figures too obvious or distracting.
  • →Not paying enough attention to the details of the archway and the angels.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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