apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Miniature from the first page of the Chroniques de Hainaut
Miniature from the first page of the Chroniques de Hainaut by Rogier van der Weyden

plate no. 1628

Miniature from the first page of the Chroniques de Hainaut

Rogier van der Weyden, 1448

oilNorthern Renaissanceportraitfiguresinteriorportraitclothingdogtile floor
some experience helpful

Recreating this painting will help students develop skills in figure drawing, rendering fabric textures, and understanding the use of color to create depth and form. It will also introduce them to the conventions of Northern Renaissance portraiture.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, paying attention to the placement and proportions of the figures.

  2. step 02

    Establish the background elements, such as the wall hanging and the tiled floor, using simplified shapes and colors.

  3. step 03

    Block in the main colors of the figures' clothing, focusing on the large areas of color and value.

  4. step 04

    Refine the shapes and details of the figures, adding subtle variations in color and tone to create depth and form.

  5. step 05

    Add details to the faces, paying attention to the subtle expressions and features of each individual.

  6. step 06

    Render the textures of the fabrics, using small brushstrokes and variations in color to create the illusion of depth and texture.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Refine the details of the background, adding subtle variations in color and tone to create depth and atmosphere.

color palette

primary · red · blue · black · gold

secondary · green · grey · white · brown

Mix muted tones by combining primary colors with white and small amounts of complementary colors. Achieve the rich reds and blues by layering transparent glazes.

techniques

  • ·glazing
  • ·figure drawing
  • ·fabric rendering
  • ·portraiture
  • ·linear perspective

common pitfalls

  • →getting proportions wrong
  • →overworking details too early
  • →using colors that are too bright
  • →failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, blue, black, gold, green, grey, white, brown)
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·turpentine
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley