apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Miestas
Miestas by Vytautas Kairiukstis

plate no. 8489

Miestas

Vytautas Kairiukstis, 1921

oilCubismcityscapecityscapebuildingsarchitectureskydome
some experience helpful

This painting is great for practicing color blocking and understanding how to represent form with simplified shapes. It also helps develop skills in creating depth and atmosphere through color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and lines of the buildings and dome, focusing on their geometric forms.

  2. step 02

    Block in the sky with light blue and white, using loose brushstrokes.

  3. step 03

    Begin filling in the larger areas of color for the buildings, using a limited palette of reds, oranges, yellows, and blues.

  4. step 04

    Mix different values of each color to create depth and dimension within each shape.

  5. step 05

    Add darker tones to create shadows and define the edges of the buildings.

  6. step 06

    Introduce secondary colors like greens and purples in small areas to add visual interest.

  7. step 07

    Refine the shapes and edges of the buildings, paying attention to the relationships between them.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · red · orange · blue · yellow

secondary · green · purple

Mix various shades of red and orange by adding white, yellow, or a touch of blue. Create greens by mixing blue and yellow, and purples by mixing red and blue.

techniques

  • ·color blocking
  • ·geometric abstraction
  • ·limited palette
  • ·broken color
  • ·scumbling

common pitfalls

  • →Over-blending colors, losing the geometric shapes.
  • →Using too many colors, creating a muddy effect.
  • →Ignoring the value relationships between the shapes.
  • →Not simplifying the forms enough.
  • →Creating hard edges where soft transitions are needed.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·painting knife
  • ·retarder medium

Use a medium-textured canvas to enhance the brushstrokes. Acrylics are faster drying, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger