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home·artworks·Midget Submarine Attack on the 'Tirpitz', 22 September 1943
Midget Submarine Attack on the 'Tirpitz', 22 September 1943 by Richard Eurich

plate no. 7485

Midget Submarine Attack on the 'Tirpitz', 22 September 1943

Richard Eurich, 1943

oilNeo-Romanticismmarinamountainsseashipssmokerockssky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through value and color changes, as well as capturing the mood of a scene with a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, sea, and foreground rocks.

  2. step 02

    Block in the sky with a thin layer of blue, blending it slightly towards the horizon.

  3. step 03

    Establish the dark values of the sea and foreground, using a dark brown or black.

  4. step 04

    Begin layering the mountains with ochre, brown, and white, creating highlights and shadows.

  5. step 05

    Add details to the ships and smoke, paying attention to their relative sizes and positions.

  6. step 06

    Refine the foreground rocks with highlights and shadows, adding texture with dry brush techniques.

  7. step 07

    Add subtle reflections in the water.

  8. step 08

    Finalize details and adjust values to create a cohesive composition.

color palette

primary · ultramarine blue · burnt umber · raw sienna · titanium white

secondary · cadmium yellow · ivory black

Mix various shades of brown and ochre for the mountains. Use white to lighten the blues and browns for the sky and highlights. Mix black with umber for the dark sea.

techniques

  • ·dry brushing
  • ·atmospheric perspective
  • ·value layering
  • ·scumbling
  • ·blending

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall composition.
  • →Making the colors too saturated, losing the muted atmosphere.
  • →Not paying attention to the relative sizes and positions of the ships.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·odorless mineral spirits

Use a canvas with a smooth texture to facilitate blending. Consider using a medium to thin the paint and speed up drying time.

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