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home·artworks·Mi papá no es un zapato azul
Mi papá no es un zapato azul by Julio Galan

plate no. 4171

Mi papá no es un zapato azul

Julio Galan, 1989

oilSurrealismself-portraitportraitcollagesurrealfigureabstractstill life
experienced study

Recreating this painting will help students develop skills in portraiture, collage techniques, and creating surreal compositions. It also encourages experimentation with color and texture to create a unique visual narrative.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of the portrait and collage elements.

  2. step 02

    Establish the base color for the background, a muted beige or light brown.

  3. step 03

    Block in the main shapes and values of the portrait, paying attention to the proportions and facial features.

  4. step 04

    Start adding the collage elements, focusing on their shapes, colors, and textures.

  5. step 05

    Refine the portrait details, including the eyes, nose, and mouth, using subtle shading and highlights.

  6. step 06

    Develop the collage elements further, adding details and textures to create a sense of depth and dimension.

  7. step 07

    Add the linear elements resembling cracks or divisions, using a fine brush or pen.

  8. step 08

    Make final adjustments to the colors, values, and textures to create a cohesive and visually interesting composition.

color palette

primary · flesh tones · beige · purple

secondary · blue · red · brown · white

Achieve the flesh tones by mixing red, yellow, and white, and adjust with small amounts of blue or green for shadows. The beige background can be created by mixing brown and white with a touch of yellow.

techniques

  • ·portrait painting
  • ·collage techniques
  • ·glazing
  • ·color layering
  • ·trompe l'oeil

common pitfalls

  • →Overworking the portrait details, leading to a loss of spontaneity.
  • →Creating a cluttered composition by adding too many collage elements.
  • →Failing to establish a clear focal point, resulting in a confusing image.
  • →Inconsistent brushwork that detracts from the overall effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·collage materials (paper, fabric, etc.)
  • ·medium for blending
  • ·pencil

optional

  • ·retarder medium
  • ·varnish
  • ·ruler
  • ·fine liner pens

Use a variety of collage materials to create interesting textures and patterns. Consider using matte medium to adhere the collage elements to the canvas.

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oil painting for beginners →how to learn by studying the masters →
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