apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Messenger of love
Messenger of love by Émile Munier

plate no. 5054

Messenger of love

Émile Munier, 1891

oilAcademicismportraitfiguregirlbirdscherriesbasketfoliage
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing realistic skin tones and facial features, as well as rendering textures like hair and feathers.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, basket, and birds.

  2. step 02

    Block in the main areas of color: skin tones, clothing, background foliage, and the basket.

  3. step 03

    Start refining the skin tones, using subtle color variations to create form and dimension.

  4. step 04

    Work on the details of the face, paying attention to the eyes, nose, and mouth.

  5. step 05

    Paint the birds, focusing on the texture of their feathers and the play of light and shadow.

  6. step 06

    Add the cherries in the basket, using small brushstrokes to create a sense of depth and volume.

  7. step 07

    Refine the background foliage, using a variety of greens and browns to create a sense of depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · titanium white · yellow ochre · cadmium red

secondary · viridian · burnt umber

Achieve skin tones by mixing titanium white, yellow ochre, and cadmium red. Use ivory black and titanium white for the birds, and mix viridian and burnt umber for the foliage.

techniques

  • ·portraiture
  • ·glazing
  • ·feathering
  • ·scumbling
  • ·blending

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to create enough contrast in the skin tones.
  • →Getting the proportions of the face wrong.
  • →Not capturing the texture of the feathers.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·viridian oil paint
  • ·burnt umber oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus