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home·artworks·Mehoffer Iza Axentowiczowa
Mehoffer Iza Axentowiczowa by Teodor Axentowicz

plate no. 2841

Mehoffer Iza Axentowiczowa

Teodor Axentowicz

oilArt Nouveau (Modern)portraitportraitfigurewomanhatjacketchair
some experience helpful

Recreating this painting will help students develop skills in portrait painting, including capturing likeness and rendering fabric textures. It also provides practice in color mixing and creating a sense of depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of color with thin washes, focusing on the overall value structure.

  3. step 03

    Begin building up the skin tones, paying attention to subtle shifts in color and value.

  4. step 04

    Develop the details of the jacket, hat, and other clothing, using thicker paint and more defined brushstrokes.

  5. step 05

    Refine the background, adding depth and interest with subtle variations in color and texture.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth, using small brushes and precise strokes.

  7. step 07

    Adjust the overall composition, making sure that all elements are working together harmoniously.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · cadmium red · titanium white · yellow ochre

secondary · burnt umber · viridian · ivory black

Mix skin tones by combining white, yellow ochre, and a touch of red. Create shadows by adding burnt umber or black to the skin tone mixture. Achieve the jacket color by mixing cadmium red with a touch of yellow ochre and white for highlights.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations in color and value.
  • →Failing to create a sense of depth in the background.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (cadmium red, titanium white, yellow ochre, burnt umber, viridian, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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