apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Meeting of Marc Anthony and Cleopatra
Meeting of Marc Anthony and Cleopatra by Giovanni Battista Tiepolo

plate no. 4536

Meeting of Marc Anthony and Cleopatra

Giovanni Battista Tiepolo, 1749

oil, canvasRococohistory paintingfigureshistorical scenearchitectureflagscrowdsky
experienced study

Recreating this painting will help students develop skills in painting figures in dynamic poses and creating a sense of depth and atmosphere through color and brushwork. It also provides practice in capturing the textures of different materials, such as fabric and stone.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, focusing on the placement of the main figures and architectural elements.

  2. step 02

    Establish the basic color palette by blocking in the main areas of color, such as the sky, buildings, and clothing.

  3. step 03

    Begin to refine the figures, paying attention to their anatomy and proportions.

  4. step 04

    Add details to the architectural elements, such as the columns, arches, and flags.

  5. step 05

    Develop the background figures and create a sense of depth by using lighter values and less detail.

  6. step 06

    Refine the highlights and shadows to create a sense of form and volume.

  7. step 07

    Add final details, such as the faces of the figures and the textures of the materials.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · ultramarine blue · titanium white · cadmium red

secondary · yellow ochre · raw sienna · ivory black

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes of color to create depth and atmosphere.

techniques

  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·alla prima
  • ·broken color

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the freshness of the brushwork.
  • →Incorrect proportions of figures.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (burnt umber, ultramarine blue, titanium white, cadmium red, yellow ochre, raw sienna, ivory black)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Turpentine
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West