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home·artworks·Meeting for the Puits-du-Roi Hunt in Compiegne
Meeting for the Puits-du-Roi Hunt in Compiegne by Jean-Baptiste Oudry

plate no. 1859

Meeting for the Puits-du-Roi Hunt in Compiegne

Jean-Baptiste Oudry

oil, canvasRococogenre paintingfigureshorsestreeslandscapehuntingcarriage
experienced study

Recreating this painting will help students develop skills in depicting figures and animals in a landscape setting, as well as understanding atmospheric perspective and creating depth through color and value variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and perspective.

  2. step 02

    Block in the main shapes and colors of the landscape, starting with the background.

  3. step 03

    Establish the values and tones of the trees, creating depth through atmospheric perspective.

  4. step 04

    Begin adding details to the figures and horses, focusing on accurate proportions and anatomy.

  5. step 05

    Develop the details of the carriage and other elements in the foreground.

  6. step 06

    Refine the lighting and shadows to create a sense of depth and realism.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze over the painting to unify the colors and add depth.

color palette

primary · burnt umber · yellow ochre · Prussian blue · titanium white

secondary · cadmium red · ivory black · sap green

Mix greens by blending yellow ochre and Prussian blue. Achieve muted tones by mixing complementary colors. Use white to lighten values and create highlights.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·animal anatomy
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overcomplicating the composition with too much detail.
  • →Failing to establish a clear sense of depth.
  • →Inaccurate proportions of figures and horses.
  • →Overworking the painting and losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to create a more unified color palette.

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