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home·artworks·Mayor Jakob Meyer zum Hasen
Mayor Jakob Meyer zum Hasen by Hans Holbein the Younger

plate no. 8656

Mayor Jakob Meyer zum Hasen

Hans Holbein the Younger, 1516

oil, woodNorthern Renaissanceportraitportraitfigurehatcolumnsarchitectureclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering skin tones, as well as understanding how to create depth through value and color.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background elements.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle color variations and highlights.

  4. step 04

    Paint the red hat, focusing on its form and the way light interacts with the fabric.

  5. step 05

    Develop the details of the clothing, including the folds and textures.

  6. step 06

    Render the architectural elements, such as the columns and decorative carvings, with careful attention to perspective and detail.

  7. step 07

    Add final highlights and details to enhance the realism and depth of the painting.

  8. step 08

    Glaze to unify colors and add depth.

color palette

primary · red · ivory black · raw umber · sky blue

secondary · gold ochre · titanium white · burnt sienna

Mix skin tones using white, raw umber, and a touch of red. Achieve the red hat color by mixing a vibrant red with a touch of brown for shadows. The gold is achieved by mixing yellow ochre with raw umber and white for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·rendering fabric
  • ·modeling form

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or flat skin tones.
  • →Inaccurate rendering of the architectural details.
  • →Losing the overall value structure.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (red, ivory black, raw umber, sky blue, gold ochre, titanium white, burnt sienna)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the value structure.

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