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home·artworks·Matthew Arnold
Matthew Arnold by George Frederick Watts

plate no. 3853

Matthew Arnold

George Frederick Watts, 1880

oil, canvasAcademicismportraitportraitfiguremanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and using subtle value changes to create form. It also provides practice in blending and layering paint to achieve a realistic skin tone and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Establish the overall composition and placement of the figure on the canvas.

  3. step 03

    Block in the main areas of color, focusing on the background, skin tones, and clothing.

  4. step 04

    Refine the values and colors in the face, paying attention to the light and shadow.

  5. step 05

    Add details to the hair, beard, and clothing, using smaller brushes.

  6. step 06

    Blend the edges of the forms to create a smooth transition between colors.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a realistic and expressive portrait.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · ultramarine blue

Mix skin tones using burnt umber, raw sienna, and white, with small amounts of red and blue for subtle variations. Darken areas with ivory black and burnt umber. Use white to create highlights.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value control
  • ·color mixing

common pitfalls

  • →Getting the proportions wrong, leading to an inaccurate likeness.
  • →Overworking the painting, resulting in a muddy or lifeless appearance.
  • →Failing to capture the subtle value changes in the face.
  • →Using too much paint, which can make the painting look heavy and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is a good starting point.

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oil painting for beginners →how to learn by studying the masters →
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