apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Matilda Stoughton de Jaudenes
Matilda Stoughton de Jaudenes by Gilbert Stuart

plate no. 3112

Matilda Stoughton de Jaudenes

Gilbert Stuart, 1794

oilRococoportraitportraitfiguredressfeathersbookschair
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating soft, diffused lighting and depicting intricate details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin building up the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Work on the dress, focusing on the folds and highlights to create a sense of volume.

  5. step 05

    Add the details of the jewelry, feathers, and other accessories.

  6. step 06

    Refine the background, blending the colors to create a soft, atmospheric effect.

  7. step 07

    Add the books and other objects, paying attention to their shapes and textures.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · ivory black · cadmium yellow · alizarin crimson

secondary · ultramarine blue · raw umber · yellow ochre

Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use ultramarine blue and white to create the pale blue of the dress. Mix raw umber and yellow ochre for the gold details.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong
  • →Overworking the details
  • →Creating muddy colors
  • →Failing to capture the likeness
  • →Ignoring the subtle variations in light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gel
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium gel can be used to add transparency and gloss to the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West