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home·artworks·Maternity
Maternity by Dorothea Tanning

plate no. 0486

Maternity

Dorothea Tanning, 1947

oilSurrealismsymbolic paintingfiguresdoorwayslandscapeskycloudsfabric
experienced study

Recreating this painting will help students develop skills in rendering figures with draped fabric and creating atmospheric perspective in a surreal landscape. It also encourages exploration of color mixing to achieve muted and desaturated tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, doorways, and horizon line.

  2. step 02

    Block in the large areas of color, starting with the sky and the ground.

  3. step 03

    Begin to define the figures, paying attention to the folds and shadows in the fabric.

  4. step 04

    Add details to the doorways, including the wood grain and hardware.

  5. step 05

    Develop the atmospheric perspective by making the distant figure and landscape lighter and less detailed.

  6. step 06

    Refine the details of the figures, including the faces and hands.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired mood.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · raw sienna

Achieve the muted tones by mixing complementary colors (e.g., yellow ochre and ultramarine blue) with white. Use burnt umber to create shadows and depth.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and distance.
  • →Inaccurate proportions in the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, raw sienna)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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