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home·artworks·Massacre of the Innocents 3
Massacre of the Innocents 3 by Bruno Canova

plate no. 1818

Massacre of the Innocents 3

Bruno Canova

acrylicSurrealismsymbolic paintinglambcrossbarbed wireflowersinscriptionreligious
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as accurately rendering complex shapes with subtle variations in tone. Students will also learn how to create a focal point using color and composition.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to proportions.

  2. step 02

    Block in the background with broad strokes of yellow and orange, creating a textured effect.

  3. step 03

    Establish the base colors for the lamb, pedestal, and surrounding elements.

  4. step 04

    Begin layering colors to create depth and dimension in the lamb and pedestal.

  5. step 05

    Add details such as the inscription, barbed wire, and flowers.

  6. step 06

    Refine the background and adjust the overall color balance.

  7. step 07

    Add highlights and shadows to enhance the three-dimensional effect.

  8. step 08

    Apply final details and touch-ups to complete the painting.

color palette

primary · yellow ochre · raw sienna · titanium white

secondary · burnt umber · cadmium red · ultramarine blue

Achieve the background colors by mixing yellow ochre with varying amounts of raw sienna and white. Create the lamb's color by mixing white with small amounts of burnt umber and yellow ochre. The colors of the flowers can be achieved by mixing cadmium red, ultramarine blue, and white.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the importance of texture in the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·water container
  • ·paper towels

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use good quality acrylic paints for best results. Consider using a retarder medium to slow down the drying time of the acrylics.

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related guides

acrylic painting for beginners →how to learn by studying the masters →
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