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Mary with the Child by Albrecht Altdorfer

plate no. 3937

Mary with the Child

Albrecht Altdorfer, 1525

woodNorthern Renaissancereligious paintingfigurereligiousportraitchildcrowndrapery
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as understanding how to create depth with value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of Mary and the child, paying attention to their relative sizes and positions.

  2. step 02

    Establish the background with a dark, even tone.

  3. step 03

    Block in the main colors of Mary's robe, the child's skin, and the apple, focusing on broad areas of color.

  4. step 04

    Begin to refine the forms by adding shadows and highlights, gradually building up the volume of the figures.

  5. step 05

    Work on the details of Mary's face, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add the details of the crown, carefully rendering the jewels and metalwork.

  7. step 07

    Refine the drapery folds in Mary's robe, using subtle value changes to create depth.

  8. step 08

    Add the final details, such as the necklace on the child and the highlights on the apple.

color palette

primary · red ochre · ivory black · titanium white · raw umber

secondary · cadmium red · yellow ochre · gold

Skin tones are achieved by mixing white, red ochre, and a touch of raw umber. Reds are muted with black and umber. Gold is created by mixing yellow ochre with touches of red and brown.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and volume.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red ochre, ivory black, titanium white, raw umber, cadmium red, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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