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home·artworks·Mary Phoebe Spencer Nelson Taylor and Daughters (1776–1847)
Mary Phoebe Spencer Nelson Taylor and Daughters (1776–1847) by John Russell

plate no. 0311

Mary Phoebe Spencer Nelson Taylor and Daughters (1776–1847)

John Russell

oilRococoportraitportraitfiguresdressescurtainfurnituremother and children
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as drapery and fabric folds. It will also improve their understanding of light and shadow to create form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and background elements.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Begin refining the skin tones, using subtle color variations to create realistic form.

  4. step 04

    Develop the details of the dresses, paying attention to the folds and highlights.

  5. step 05

    Paint the background elements, such as the curtain and furniture, using a limited palette.

  6. step 06

    Add details to the faces, including the eyes, nose, and mouth, to capture the likeness of the subjects.

  7. step 07

    Refine the details of the hair and accessories.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism of the painting.

color palette

primary · titanium white · cadmium red · yellow ochre · burnt umber

secondary · ultramarine blue · ivory black

Achieve skin tones by mixing titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Use ultramarine blue and titanium white for the blue ribbons. Mix burnt umber and ivory black for darker shadows.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·drapery painting

common pitfalls

  • →Inaccurate proportions of the figures.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the drapery.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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