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home·artworks·Mary and Child with Two Angels Making Music
Mary and Child with Two Angels Making Music by Gerard David

plate no. 2456

Mary and Child with Two Angels Making Music

Gerard David, 1495

oilNorthern Renaissancereligious paintingfiguresreligiousangelschildgoldmusic
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in achieving a luminous effect with gold tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and their positions.

  2. step 02

    Block in the large shapes of color, focusing on the overall value structure.

  3. step 03

    Begin refining the figures, paying attention to anatomical accuracy and drapery folds.

  4. step 04

    Develop the background, building up layers of gold paint to achieve a luminous effect.

  5. step 05

    Add details to the faces, hands, and musical instruments.

  6. step 06

    Refine the edges of the figures and objects to create a sense of depth.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Glaze with thin layers of color to unify the painting and create subtle color variations.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · cadmium red light · viridian

Achieve the gold tones by layering yellow ochre with touches of burnt umber and white. Mix subtle variations of blue and white for the drapery. Use thin glazes of red and green to create depth in the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not paying attention to the anatomical accuracy of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·gesso
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·#2 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Apply several layers of gesso to the canvas to create a smooth surface. Use high-quality oil paints for best results.

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