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home·artworks·Martyrdom of St. Erasmus (central panel)
Martyrdom of St. Erasmus (central panel) by Dirk Bouts

plate no. 7756

Martyrdom of St. Erasmus (central panel)

Dirk Bouts, 1458

oil, woodNorthern Renaissancereligious paintingfigureslandscapereligious scenetortureclothingsky
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering fabric textures, and creating a believable sense of depth through atmospheric perspective. It also provides practice in depicting complex scenes with multiple figures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and the landscape elements.

  2. step 02

    Establish the basic color blocks for the background landscape, using thin washes.

  3. step 03

    Block in the main colors of the figures' clothing, paying attention to local color and value.

  4. step 04

    Start refining the figures, focusing on accurate proportions and anatomical details.

  5. step 05

    Add details to the clothing, rendering folds, textures, and patterns.

  6. step 06

    Work on the faces, capturing the expressions and individual characteristics of each figure.

  7. step 07

    Refine the background landscape, adding details and atmospheric perspective.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the figures and objects.

color palette

primary · red ochre · raw umber · titanium white · ivory black

secondary · yellow ochre · Prussian blue · gold

Achieve the muted tones by mixing earth pigments with white and small amounts of black or blue. Use glazes of transparent colors to build up depth and richness.

techniques

  • ·figure drawing
  • ·glazing
  • ·atmospheric perspective
  • ·fabric rendering
  • ·portraiture

common pitfalls

  • →Inaccurate proportions in the figures.
  • →Overly bright or saturated colors.
  • →Lack of depth in the landscape.
  • →Ignoring the subtle variations in skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red ochre, raw umber, titanium white, ivory black, yellow ochre, Prussian blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, medium flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·drying retarder
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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