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home·artworks·Martírio de Santo André
Martírio de Santo André by Cristovao de Figueiredo

plate no. 1323

Martírio de Santo André

Cristovao de Figueiredo, 1530

oilNorthern Renaissancereligious paintingfigurelandscapereligious scenecrossmensky
experienced study

Recreating this painting will help students develop skills in figure drawing, particularly anatomy and foreshortening, as well as understanding how to depict complex scenes with multiple figures in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and the cross.

  2. step 02

    Block in the main shapes and values using thin washes of color, focusing on the background landscape first.

  3. step 03

    Develop the figures, starting with the central figure of Saint Andrew, paying close attention to anatomical accuracy and proportions.

  4. step 04

    Add details to the clothing and faces of the figures, using smaller brushes for finer lines and highlights.

  5. step 05

    Work on the textures of the cross, ground, and surrounding landscape, using techniques like dry brushing and scumbling.

  6. step 06

    Refine the lighting and shadows to create depth and dimension, paying attention to the light source.

  7. step 07

    Add the final details, such as the halo and any small elements that enhance the narrative.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust the overall tone.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · Prussian blue · cadmium red · yellow ochre

Achieve flesh tones by mixing white, red, and a touch of yellow ochre. Use raw umber and white for shadows and highlights on the cross. Mix blue and yellow for the sky and distant landscape.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figures, especially foreshortening.
  • →Overly harsh or flat lighting, lacking subtle gradations.
  • →Muddy colors due to overmixing.
  • →Neglecting the background and its role in creating depth.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (raw umber, burnt sienna, titanium white, Prussian blue, cadmium red, yellow ochre)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

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