apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Martírio de São Sebastião
Martírio de São Sebastião by Gregorio Lopes

plate no. 7547

Martírio de São Sebastião

Gregorio Lopes, 1536

oilNorthern Renaissancereligious paintingfigurecityscapearchersreligious sceneskyarchitecture
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with multiple figures and architectural elements, as well as understanding the use of atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, the cityscape, and the overall composition.

  2. step 02

    Establish the background by painting the sky and the distant buildings, using lighter and desaturated colors to create atmospheric perspective.

  3. step 03

    Block in the main figures with basic shapes and colors, paying attention to their proportions and poses.

  4. step 04

    Develop the details of the figures, including their clothing, facial features, and the arrows piercing the central figure.

  5. step 05

    Refine the architectural details of the buildings, adding shadows and highlights to create depth and dimension.

  6. step 06

    Add the smaller figures in the background, simplifying their forms and colors to maintain the sense of distance.

  7. step 07

    Adjust the overall color balance and value contrast to create a harmonious and unified composition.

  8. step 08

    Add final details and highlights to enhance the realism and visual impact of the painting.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · Prussian blue · cadmium red light · ivory black

Mix various shades of brown and ochre for the buildings and ground. Use blue and white to create the sky, and mix red and brown for the figures' skin tones. Add small amounts of black to create shadows.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·layering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to create a convincing sense of depth.
  • →Overworking the details and losing the overall harmony of the composition.
  • →Using colors that are too saturated and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley