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home·artworks·Marsyas Flayed by the Order of Apollo
Marsyas Flayed by the Order of Apollo by Charles-Andre van Loo (Carle van Loo)

plate no. 6785

Marsyas Flayed by the Order of Apollo

Charles-Andre van Loo (Carle van Loo), 1735

oil, canvasRococomythological paintingfiguresmythologytreeskylandscapetorture
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomical accuracy, and rendering realistic skin tones with subtle color variations. It also provides practice in depicting complex compositions with multiple figures in dynamic poses.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and forms with thin washes of color, focusing on the overall value structure.

  3. step 03

    Begin to develop the figures, paying close attention to anatomical details and muscle structure.

  4. step 04

    Layer and blend colors to create realistic skin tones, using highlights and shadows to define form.

  5. step 05

    Paint the background elements, such as the tree, sky, and landscape, using loose brushstrokes and subtle color variations.

  6. step 06

    Add details to the figures, such as facial features, hair, and clothing.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt sienna · ivory black

Achieve skin tones by mixing titanium white, yellow ochre, cadmium red light, and a touch of raw umber. Use ultramarine blue and burnt sienna to create muted greens for the foliage.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·anatomical rendering

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly saturated or unnatural skin tones
  • →Lack of depth and atmosphere in the background
  • →Ignoring anatomical details
  • →Poor value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve blending.

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