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Marriage by William Hogarth

plate no. 7125

Marriage

William Hogarth, 1735

oil, canvasRococogenre paintingfiguresinteriorchurchmarriagedogsarchitecture
experienced study

Recreating this painting will help students develop skills in rendering figures in complex poses and capturing the nuances of light and shadow in an interior setting. It also provides practice in creating a sense of depth and atmosphere through layering and glazing techniques.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of the main figures and architectural elements.

  2. step 02

    Establish the basic values and color masses using thin washes of paint.

  3. step 03

    Develop the figures, starting with the larger forms and gradually adding details.

  4. step 04

    Pay close attention to the lighting and shadows, using them to create depth and volume.

  5. step 05

    Work on the background elements, such as the architecture and the crowd of people.

  6. step 06

    Add details to the figures' clothing and accessories, paying attention to the textures and patterns.

  7. step 07

    Refine the overall composition and adjust the values and colors as needed.

  8. step 08

    Add final details, such as highlights and shadows, to create a sense of realism.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use glazes of raw umber and ivory black to create shadows and depth.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Ignoring the importance of atmospheric perspective
  • →Getting lost in the complexity of the composition

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·dammar varnish
  • ·medium

Use a high-quality canvas primed with gesso. Consider using a medium to improve the flow and blending of the oil paints.

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