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home·artworks·Market Church in Halle
Market Church in Halle by Lyonel Feininger

plate no. 7022

Market Church in Halle

Lyonel Feininger, 1930

oilCubismcityscapechurcharchitecturecityscapeskyfigures
some experience helpful

Recreating this painting will help students understand how to break down complex forms into geometric shapes and use a limited palette to create a sense of depth and light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes of the church and surrounding buildings, focusing on the angular structure.

  2. step 02

    Block in the sky with a light blue wash, leaving some areas lighter to suggest clouds.

  3. step 03

    Begin layering in the darker tones of the church using browns and blacks, defining the shadows and architectural details.

  4. step 04

    Apply lighter yellows and tans to the sunlit areas of the church, blending the edges to create a soft transition.

  5. step 05

    Add the figures in the foreground using simple, elongated shapes.

  6. step 06

    Refine the details of the architectural elements, paying attention to the angles and lines.

  7. step 07

    Add final touches of light and shadow to enhance the depth and dimension.

  8. step 08

    Consider adding a thin glaze to unify the colors.

color palette

primary · Prussian Blue · Yellow Ochre · Burnt Umber · Titanium White

secondary · Cadmium Yellow · Black

Mix Prussian Blue with white for the sky. Use Yellow Ochre and Burnt Umber to create the various shades of the church. Add small amounts of black to darken the shadows.

techniques

  • ·Geometric abstraction
  • ·Layering
  • ·Dry brushing
  • ·Color glazing
  • ·Limited palette

common pitfalls

  • →Overcomplicating the geometric shapes.
  • →Using too many colors and losing the unity of the palette.
  • →Not establishing a clear light source.
  • →Getting lost in details too early.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (12x16 or similar)
  • ·Acrylic or oil paints
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Rags

optional

  • ·Medium (for oil paints)
  • ·Easel
  • ·Varnish

A slightly textured canvas can enhance the dry brush effect. Consider using a toned canvas to start.

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oil painting for beginners →how to learn by studying the masters →
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