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home·artworks·Marika with a bouquet of flowers
Marika with a bouquet of flowers by Marevna (Marie Vorobieff)

plate no. 7344

Marika with a bouquet of flowers

Marevna (Marie Vorobieff), 1970

oil, canvasPointillismportraitfigureflowersportraitstill lifedresschair
experienced study

Recreating this painting will help students understand color mixing for pointillism and practice applying small, controlled brushstrokes to build up form and color. It also provides practice in depicting the human form and drapery.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the figure, chair, and bouquet.

  2. step 02

    Establish the main color areas for the background, figure, dress, and flowers.

  3. step 03

    Begin applying small dots of color, focusing on local color and value.

  4. step 04

    Gradually build up layers of dots, mixing colors on the canvas to create optical blends.

  5. step 05

    Pay attention to the direction and density of the dots to suggest form and texture.

  6. step 06

    Refine the details of the face, hands, and flowers.

  7. step 07

    Adjust the overall color balance and contrast as needed.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the subject.

color palette

primary · cerulean blue · cadmium red · cadmium yellow · titanium white

secondary · viridian green · alizarin crimson · yellow ochre

Achieve the various blues in the dress by mixing cerulean blue with white and small amounts of other colors. Create the skin tones by mixing white, yellow ochre, and a touch of red. Use green and yellow mixtures for the foliage.

techniques

  • ·pointillism
  • ·optical mixing
  • ·color layering
  • ·stippling
  • ·controlled brushstrokes

common pitfalls

  • →Applying dots too uniformly, resulting in a flat and lifeless image.
  • →Using too few colors, which can limit the vibrancy and depth of the painting.
  • →Losing the overall composition and form due to excessive detail.
  • →Overmixing colors on the palette, negating the optical mixing effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (cerulean blue, cadmium red, cadmium yellow, titanium white, viridian green, alizarin crimson, yellow ochre)
  • ·small round brushes (#0, #1, #2)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use high-quality oil paints for best results. Experiment with different brush sizes to achieve varying dot sizes.

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oil painting for beginners →how to learn by studying the masters →
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