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home·artworks·Marie Leszczyńska
Marie Leszczyńska by Maurice Quentin de La Tour

plate no. 2006

Marie Leszczyńska

Maurice Quentin de La Tour

pastel, canvasRococoportraitportraitfigureclothinglaceheaddresshand
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex textures like lace and fabric. It also provides practice in subtle color mixing and blending to achieve realistic skin tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with a thin, even layer of color.

  3. step 03

    Establish the basic skin tones, focusing on the light and shadow areas of the face.

  4. step 04

    Begin layering colors to build up the form of the face, paying attention to subtle variations in hue and value.

  5. step 05

    Start rendering the clothing, focusing on the larger shapes and folds.

  6. step 06

    Add details to the lace and other embellishments, using small brushes and precise strokes.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of depth and dimension.

color palette

primary · raw umber · titanium white · yellow ochre · cadmium red light

secondary · ivory black · ultramarine blue · burnt sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and ivory black to create the dark tones of the headdress and background. Mix white with a tiny amount of blue and umber to create the lace.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·hatching

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·assorted brushes (small round, filbert, flat)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·soft cloths

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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