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home·artworks·Marie Leszczinska, Reine De France
Marie Leszczinska, Reine De France by Charles-Andre van Loo (Carle van Loo)

plate no. 1664

Marie Leszczinska, Reine De France

Charles-Andre van Loo (Carle van Loo), 1747

oil, canvasRococoportraitportraitfiguredressdoginteriorflowers
experienced study

Recreating this painting will help students develop skills in rendering complex textures and patterns, as well as understanding how to create depth through subtle value changes. It also provides practice in portraiture and depicting realistic fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the dress, the table, and the background elements.

  2. step 02

    Establish the overall composition and perspective, paying attention to the placement of the figure within the scene.

  3. step 03

    Block in the main color areas with thin washes of paint, focusing on the large shapes and general tones.

  4. step 04

    Start building up the details of the dress, focusing on the patterns, folds, and textures. Use layering techniques to create depth and dimension.

  5. step 05

    Work on the portrait, paying attention to the likeness and expression of the subject. Use subtle value changes to model the face.

  6. step 06

    Add details to the background elements, such as the columns, curtains, and landscape. Use soft blending techniques to create a sense of atmosphere.

  7. step 07

    Refine the details of the table, flowers, and dog, paying attention to the textures and colors of each object.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth. Check the overall composition and make any necessary adjustments.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt umber

secondary · alizarin crimson · ivory black · cadmium yellow light

Achieve the dress's shimmering effect by layering thin glazes of white and yellow ochre over a light blue base. Mix subtle grays and browns for the shadows and details in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Failing to create a sense of depth and dimension in the dress and background.
  • →Inaccurately capturing the likeness and expression of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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