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home·artworks·Marie Krøyer Painting on the Beach at Stenbjerg
Marie Krøyer Painting on the Beach at Stenbjerg by Peder Severin Kroyer

plate no. 1568

Marie Krøyer Painting on the Beach at Stenbjerg

Peder Severin Kroyer, 1889

oilImpressionismgenre paintingbeachcloudswavesfiguredogsand
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in sand and water. It also provides practice in depicting figures and animals in a loose, impressionistic style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the figure and dog.

  2. step 02

    Block in the large areas of color: sky, sea, sand, and dunes.

  3. step 03

    Establish the values in the sky, creating depth and form in the clouds.

  4. step 04

    Develop the colors of the sand, using warm and cool tones to create a sense of depth and texture.

  5. step 05

    Paint the waves, capturing the movement and translucency of the water.

  6. step 06

    Add details to the figure and dog, using loose brushstrokes to suggest form.

  7. step 07

    Refine the details and add highlights to create a sense of light and atmosphere.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · alizarin crimson · cadmium yellow

Mix various shades of blue and white for the sky. Use yellow ochre and burnt umber for the sand, adding white to lighten and blue to cool. Mix white with small amounts of blue and yellow for the clouds.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating overly saturated colors that look unnatural.
  • →Failing to establish a strong value structure.
  • →Making the composition too symmetrical or static.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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