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home·artworks·Marie in the Garden (The Roses)
Marie in the Garden (The Roses) by Peder Severin Kroyer

plate no. 9761

Marie in the Garden (The Roses)

Peder Severin Kroyer

oilImpressionismgenre paintinggardenrosesfiguretreeshouselawn
some experience helpful

This painting provides practice in capturing light and shadow in a garden setting, and layering brushstrokes to create texture and depth. Students will learn to simplify complex forms into impressionistic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, rose bush, and house.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Block in the larger shapes of the rose bush and foliage with broad brushstrokes.

  4. step 04

    Begin adding details to the roses, using small dabs of paint to create texture.

  5. step 05

    Develop the figure, paying attention to the folds of the dress and the light on her face.

  6. step 06

    Refine the details of the house and surrounding foliage, adding highlights and shadows.

  7. step 07

    Add final touches and adjust colors as needed to create a harmonious composition.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · titanium white · sap green · yellow ochre · ultramarine blue

secondary · burnt sienna · cadmium yellow · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue with varying amounts of white. Achieve the whites of the roses by mixing titanium white with small amounts of yellow ochre and ultramarine blue to create subtle variations in tone.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·layering
  • ·impasto

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the subtle variations in light and shadow.
  • →Making the roses too uniform and lacking in natural variation.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·damar varnish

Use high-quality oil paints for best results. Pre-toned canvas can help establish initial values.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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