apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Marie Haneton
Marie Haneton by Bernard Van Orley

plate no. 0005

Marie Haneton

Bernard Van Orley, 1519

oilNorthern Renaissanceportraitportraitfigureclothingjewelrybookrenaissance
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabrics and jewelry. It also provides practice in creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on accurate proportions of the figure and placement of key elements.

  2. step 02

    Block in the large shapes of color, starting with the background and then the figure's clothing and skin.

  3. step 03

    Begin refining the skin tones, using subtle layers of color to create a smooth, realistic effect.

  4. step 04

    Add details to the clothing, paying attention to the folds and textures of the fabric.

  5. step 05

    Paint the jewelry and other accessories, using small brushes to capture the intricate details.

  6. step 06

    Refine the background, adding subtle variations in color and value to create depth.

  7. step 07

    Add final highlights and shadows to enhance the overall realism of the painting.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the richness of the colors.

color palette

primary · ivory black · titanium white · burnt umber · cadmium red light

secondary · yellow ochre · raw sienna · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Dark clothing uses black and umber, lightened with white for highlights. The gold jewelry is created with yellow ochre, raw sienna, and touches of red.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the subtle variations in color and value that create realism.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley