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home·artworks·Marie Fel with eyes full of love
Marie Fel with eyes full of love by Maurice Quentin de La Tour

plate no. 9234

Marie Fel with eyes full of love

Maurice Quentin de La Tour

pastel, canvasRococoportraitportraitfiguredressmusic booklacechair
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practice rendering fabric and lace details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the dress, the music book, and the chair.

  2. step 02

    Establish the background with a dark, blended tone.

  3. step 03

    Block in the main colors of the skin, dress, and music book, focusing on the overall values.

  4. step 04

    Develop the skin tones using layers of subtle color variations, paying attention to highlights and shadows.

  5. step 05

    Work on the details of the dress, including the folds, ruffles, and lace, using a combination of blending and sharp lines.

  6. step 06

    Render the music book and the cherub detail, focusing on the texture and form.

  7. step 07

    Add the final details, such as the hair, jewelry, and facial features, refining the overall composition.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · Prussian blue · Titanium white · Burnt umber · Yellow ochre

secondary · Cadmium red light · Ivory black

Skin tones are achieved by mixing white, yellow ochre, burnt umber, and a touch of red. The blue dress uses Prussian blue lightened with white and darkened with burnt umber. The lace is created with white and a touch of yellow ochre.

techniques

  • ·Blending
  • ·Layering
  • ·Scumbling
  • ·Glazing
  • ·Hatching

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or flat appearance.
  • →Failing to capture the subtle variations in color and value in the dress.
  • →Getting lost in the details of the lace before establishing the overall form.
  • →Incorrect proportions of the figure.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: Prussian blue, Titanium white, Burnt umber, Yellow ochre, Cadmium red light, Ivory black
  • ·Round brushes (sizes 0, 2, 4)
  • ·Flat brushes (sizes 4, 6, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Soft cloths

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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