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home·artworks·Maria of Brabants coronation in the Sainte Chapelle of Paris
Maria of Brabants coronation in the Sainte Chapelle of Paris by Jean Fouquet

plate no. 3914

Maria of Brabants coronation in the Sainte Chapelle of Paris

Jean Fouquet, 1458

oilNorthern Renaissancehistory paintingfiguresarchitectureceremonycrowninteriorcityscape
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in replicating intricate patterns and details.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the archway, the figures, and the cityscape in the background.

  2. step 02

    Establish the basic color blocks for the architecture, figures' robes, and background sky.

  3. step 03

    Add the darker values to define the shadows and create depth, especially within the archway and on the figures.

  4. step 04

    Start building up the details on the figures, focusing on the folds of the drapery and the facial features.

  5. step 05

    Carefully paint the fleur-de-lis pattern on the blue fabric, paying attention to spacing and consistency.

  6. step 06

    Add the architectural details of the cityscape in the background, using lighter values to suggest distance.

  7. step 07

    Refine the highlights on the figures and architecture to create a sense of light and volume.

  8. step 08

    Add the final details, such as the crowns, crosses, and other embellishments.

color palette

primary · ultramarine blue · gold ochre · red ochre · ivory black

secondary · viridian green · titanium white · grey

Mix ultramarine blue with ivory black and white for the various shades of blue. Use gold ochre and red ochre to create the warm tones of the robes. Mix white with small amounts of blue and black to achieve the grey tones of the architecture.

techniques

  • ·glazing
  • ·hatching
  • ·dry brushing
  • ·atmospheric perspective
  • ·pattern replication

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure before adding color.
  • →Inconsistent spacing and execution of the fleur-de-lis pattern.
  • →Losing the sense of depth in the background by making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brush (size 6)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·palette knife
  • ·ruler
  • ·medium gloss

Use high-quality acrylic paints for best results. A smooth canvas surface will make it easier to achieve fine details.

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