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home·artworks·Maria Luisa of Spain, wife of Emperor Leopold II
Maria Luisa of Spain, wife of Emperor Leopold II by Louise Elisabeth Vigee Le Brun

plate no. 5204

Maria Luisa of Spain, wife of Emperor Leopold II

Louise Elisabeth Vigee Le Brun

oilRococoportraitportraitfiguredresstabledrawingheadwear
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabrics with subtle color variations. Students will also practice creating soft, diffused lighting and blending techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure.

  2. step 02

    Block in the main areas of color, starting with the background and then the figure's dress and skin tones.

  3. step 03

    Begin to refine the skin tones, using subtle color variations to create depth and form.

  4. step 04

    Work on the details of the dress, paying attention to the folds and highlights.

  5. step 05

    Paint the headwear, carefully rendering the texture and folds of the fabric.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth, using small brushes and fine strokes.

  7. step 07

    Refine the drawing and the table, adding details and highlights.

  8. step 08

    Add final touches and highlights to the entire painting.

color palette

primary · ivory black · titanium white · yellow ochre · alizarin crimson

secondary · viridian green · raw umber · cadmium yellow light

Mix skin tones using white, yellow ochre, and a touch of alizarin crimson. Create the green dress by mixing viridian green with ivory black and a touch of yellow. Use raw umber and ivory black for the background.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions wrong in the initial sketch.
  • →Failing to capture the likeness of the subject.
  • →Overworking the details, resulting in a stiff or unnatural appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve blending.

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