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home·artworks·Marc Rene, Marquis de Voyer d'Argenson
Marc Rene, Marquis de Voyer d'Argenson by Maurice Quentin de La Tour

plate no. 8224

Marc Rene, Marquis de Voyer d'Argenson

Maurice Quentin de La Tour

pastelRococoportraitportraitfigurearmorclothinghairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides an opportunity to practice rendering metallic surfaces and soft fabric textures.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and armor.

  2. step 02

    Establish the background with soft, blended pastel strokes, creating a gradient from darker to lighter tones.

  3. step 03

    Begin blocking in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Carefully render the facial features, paying attention to the subtle details of the eyes, nose, and mouth.

  5. step 05

    Start building up the armor, using layers of color to create the metallic sheen and reflections.

  6. step 06

    Add details to the clothing and hair, focusing on the folds and textures.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium red light · ultramarine blue · yellow ochre

Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of red. Use ultramarine blue and black for the dark clothing. Mix metallic colors with greys, browns, and touches of yellow ochre.

techniques

  • ·blending
  • ·layering
  • ·hatching
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Inaccurate proportions of the face and body.
  • →Overly harsh or muddy skin tones.
  • →Lack of depth and dimension in the armor.
  • →Ignoring subtle color variations in the background.

materials

surface · pastel paper (toned)

required

  • ·pastel set (soft pastels)
  • ·pastel pencils
  • ·pastel paper (toned)
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·drawing board
  • ·ruler

optional

  • ·palette knife
  • ·workable fixative
  • ·soft chamois cloth

Use a sanded pastel paper for better pastel adhesion. Work in a well-ventilated area when using fixative.

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