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home·artworks·Man with a black cap
Man with a black cap by Hans Memling

plate no. 0612

Man with a black cap

Hans Memling, 1480

oil, panelNorthern Renaissanceportraitportraitmanlandscapeskyclothinghat
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as understanding atmospheric perspective in the background landscape.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, hat, and background landscape.

  2. step 02

    Establish the main value ranges, blocking in the darks of the clothing and hat, and the lighter tones of the face and sky.

  3. step 03

    Begin layering skin tones, focusing on subtle shifts in color and value to create form.

  4. step 04

    Develop the background landscape, using lighter, cooler colors for distant elements to create atmospheric perspective.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth, paying close attention to proportions and expression.

  6. step 06

    Add details to the clothing and hat, such as folds and textures.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the overall effect.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · Prussian blue · burnt sienna · cadmium red light

Achieve skin tones by mixing yellow ochre, burnt sienna, and titanium white, with small amounts of red and umber for shadows. Create atmospheric perspective by mixing blue and white for the sky and adding white to background colors to lighten and cool them.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the background landscape too detailed and distracting.
  • →Using too much paint and losing the luminosity of the glazes.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, yellow ochre, titanium white, Prussian blue, burnt sienna, cadmium red light)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Soft cloths

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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