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home·artworks·Male Portrait
Male Portrait by Kmetty János

plate no. 0459

Male Portrait

Kmetty János

oilCubismportraitportraitmalefigureclothingcubismface
some experience helpful

Recreating this painting will help students develop skills in portraiture, understanding light and shadow, and simplified color mixing. It also introduces the basics of cubist abstraction in portraiture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the background color with a thin wash of yellow ochre and burnt sienna.

  3. step 03

    Block in the main areas of light and shadow on the face using a limited palette of browns, blues, and yellows.

  4. step 04

    Refine the facial features, paying attention to the planes of the face and how they catch the light.

  5. step 05

    Add details to the clothing, such as the collar, tie, and jacket, using similar color blocking techniques.

  6. step 06

    Use visible brushstrokes to create texture and visual interest.

  7. step 07

    Adjust the values and colors to create a sense of depth and form.

  8. step 08

    Add final highlights and details to the eyes and other key areas.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · titanium white · cadmium yellow

Mix browns by combining burnt sienna and ultramarine blue. Use white to lighten values and yellow to warm up colors. Create subtle variations by adding small amounts of other colors.

techniques

  • ·color blocking
  • ·visible brushstrokes
  • ·limited palette
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Over-blending the colors, losing the cubist effect.
  • →Getting the proportions of the face wrong.
  • →Using too many colors, resulting in a muddy painting.
  • →Ignoring the planes of the face and how they affect the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes size 2-6
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a toned canvas (light ochre) to start.

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oil painting for beginners →how to learn by studying the masters →
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