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home·artworks·Malcesine sur le lac de Garde
Malcesine sur le lac de Garde by Gustav Klimt

plate no. 7832

Malcesine sur le lac de Garde

Gustav Klimt, 1913

oil, canvasArt Nouveau (Modern)cityscapecityscapebuildingswaterarchitectureboatsreflection
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and practice applying short, broken brushstrokes to create texture and detail. It's also a good exercise in understanding aerial perspective and how to represent complex architectural forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the buildings and the horizon line.

  2. step 02

    Block in the large areas of color, starting with the sky and water, then moving to the buildings and landscape.

  3. step 03

    Begin adding details to the buildings, using short, broken brushstrokes to create texture and variation.

  4. step 04

    Mix and apply the colors for the roof tiles, paying attention to the subtle variations in hue and value.

  5. step 05

    Add the reflections in the water, using similar colors and brushstrokes as the buildings above.

  6. step 06

    Refine the details of the boats and other elements in the foreground.

  7. step 07

    Adjust the values and colors as needed to create depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · ochre · yellow · white · burnt sienna

secondary · blue · green · pink · purple

Achieve the muted tones by mixing primary colors with white and small amounts of complementary colors. Use ochre and burnt sienna as a base for many of the building colors, adjusting with white, yellow, and small amounts of blue or green.

techniques

  • ·broken brushstrokes
  • ·color mixing
  • ·scumbling
  • ·layering
  • ·optical mixing

common pitfalls

  • →Getting bogged down in details too early.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ochre, yellow, white, burnt sienna, blue, green, pink)
  • ·Palette
  • ·Assorted brushes (small round, flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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