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home·artworks·Madonna of the Goldfinch
Madonna of the Goldfinch by Giovanni Battista Tiepolo

plate no. 1286

Madonna of the Goldfinch

Giovanni Battista Tiepolo, 1760

oil, canvasRococoreligious paintingfigurereligiousbabydraperybirdportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and drapery, as well as understanding subtle color variations and blending techniques. It also provides practice in depicting realistic figures and creating a harmonious composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, focusing on proportions and composition.

  2. step 02

    Establish the background with thin washes of color, building up depth gradually.

  3. step 03

    Block in the main colors of the figures and drapery, paying attention to the overall color harmony.

  4. step 04

    Begin layering and blending the skin tones, using subtle variations of color to create form.

  5. step 05

    Add details to the drapery, focusing on the folds and shadows.

  6. step 06

    Paint the bird, paying attention to its anatomy and coloration.

  7. step 07

    Refine the details of the faces, adding highlights and shadows to create expression.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · titanium white · raw umber · ultramarine blue · cadmium red

secondary · yellow ochre · burnt sienna · ivory black

Achieve skin tones by mixing white, red, and umber, adjusting the proportions for highlights and shadows. Create the drapery colors by mixing blue, red, and umber with white for lighter tones.

techniques

  • ·glazing
  • ·scumbling
  • ·sfumato
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Neglecting the importance of accurate proportions.
  • →Ignoring the overall color harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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