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home·artworks·Madonna and Child. Left Panel of Diptych de Melun
Madonna and Child. Left Panel of Diptych de Melun by Jean Fouquet

plate no. 5115

Madonna and Child. Left Panel of Diptych de Melun

Jean Fouquet, 1450

wood, temperaNorthern Renaissancereligious paintingMadonnaChildangelscrownthronereligious figure
experienced study

Recreating this painting would develop skills in rendering smooth skin tones, drapery folds, and the subtle color variations in the angels. It also provides practice in creating a sense of depth through careful value control.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the main figures and their placement.

  2. step 02

    Establish the background color with a thin wash.

  3. step 03

    Block in the main shapes of the Madonna, Child, and angels using simplified color masses.

  4. step 04

    Start building up the skin tones with thin layers of paint, paying attention to subtle value changes.

  5. step 05

    Define the drapery folds and shadows in the Madonna's clothing.

  6. step 06

    Add details to the crown, throne, and other decorative elements.

  7. step 07

    Refine the features of the faces and hands.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ultramarine blue · cadmium red

secondary · ivory black · yellow ochre

Achieve the flesh tones by mixing white, red, and a touch of yellow ochre. The blue-grey dress is a mix of ultramarine blue and black. The red angels are cadmium red with variations achieved by adding white or black.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·underpainting
  • ·layering

common pitfalls

  • →Overworking the skin tones and losing the subtle variations.
  • →Making the drapery folds too harsh or defined.
  • →Failing to create a sense of depth in the background.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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