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home·artworks·Mademoiselle Salle
Mademoiselle Salle by Maurice Quentin de La Tour

plate no. 9738

Mademoiselle Salle

Maurice Quentin de La Tour

pastelRococoportraitportraitfigurelacedressbowchair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering delicate textures like lace and fabric.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the background with broad, blended strokes of dark blues and browns.

  3. step 03

    Block in the main areas of color for the skin, dress, and chair, focusing on the overall values.

  4. step 04

    Begin refining the skin tones with subtle layers of color, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the dress, including the folds, ruffles, and lace, using lighter colors and finer strokes.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small, precise strokes.

  7. step 07

    Refine the background and chair, adding details and adjusting the values as needed.

  8. step 08

    Add final highlights and details to the entire painting, paying attention to the overall balance and harmony.

color palette

primary · titanium white · rose madder · ultramarine blue

secondary · yellow ochre · raw umber

Achieve skin tones by mixing white, rose madder, and a touch of yellow ochre. Use ultramarine blue and raw umber for the darker background. Mix white with rose madder for the pink dress and bow.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·hatching
  • ·portraiture

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the lace too heavy and detailed.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·rose madder oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·assorted soft brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall values.

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