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home·artworks·Madeleine of Bourgogne presented by St. Mary Magdalene
Madeleine of Bourgogne presented by St. Mary Magdalene by Jean Hey

plate no. 3611

Madeleine of Bourgogne presented by St. Mary Magdalene

Jean Hey, 1490

oil, panelNorthern Renaissancereligious paintingfiguresreligious sceneportraitclothinginteriorsaint
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering drapery and textures with smooth blending techniques.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the figures and key compositional elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the skin tones, layering thin glazes to build up depth and luminosity.

  4. step 04

    Carefully render the drapery, paying attention to the folds and highlights.

  5. step 05

    Add details to the clothing and jewelry, using fine brushes for precision.

  6. step 06

    Paint the background with smooth, even tones.

  7. step 07

    Refine the facial features, capturing the expressions of the figures.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the forms.

color palette

primary · ivory black · burnt umber · cadmium red · yellow ochre

secondary · viridian · ultramarine blue · titanium white

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken shadows with burnt umber and a hint of blue. Create the green drapery by mixing viridian with yellow ochre and white.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Inaccurate proportions of the figures.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the drapery.
  • →Flat or lifeless rendering of the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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