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home·artworks·Madame Louise Mares
Madame Louise Mares by Alexandre Cabanel

plate no. 8388

Madame Louise Mares

Alexandre Cabanel, 1851

oilAcademicismportraitportraitfiguredressbookchairlace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. It also offers practice in rendering textures like fabric and lace.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and book.

  2. step 02

    Establish the background with a dark, muted tone, creating depth.

  3. step 03

    Block in the main shapes of the figure, dress, and book with basic colors.

  4. step 04

    Begin refining the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the dress, including folds, highlights, and shadows.

  6. step 06

    Paint the book, focusing on the details of the pages and illustrations.

  7. step 07

    Add the lace details, using a fine brush and light colors.

  8. step 08

    Refine the overall painting, adjusting values and adding final details.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · alizarin crimson · yellow ochre · viridian

Mix various shades of black and brown with white to create the dress and background. Use small amounts of alizarin crimson and yellow ochre to create realistic skin tones. Mix viridian and white for the green accents on the chair.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle value gradations.
  • →Struggling with the rendering of the lace.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will help with blending.

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