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home·artworks·Madame Isaac Hirsch Kann, Née Julie De Koenigswarter
Madame Isaac Hirsch Kann, Née Julie De Koenigswarter by Raimundo de Madrazo

plate no. 5994

Madame Isaac Hirsch Kann, Née Julie De Koenigswarter

Raimundo de Madrazo, 1885

oil, canvasAcademicismportraitportraitfiguredressfurnitureinteriorcurtain
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also improve their ability to create depth and form through subtle value changes and soft blending.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Start with the face, focusing on accurate proportions and subtle value changes to create form.

  4. step 04

    Develop the dress, paying attention to the folds and shadows to create a sense of volume.

  5. step 05

    Work on the background, using soft blending to create depth and atmosphere.

  6. step 06

    Add details to the furniture and other elements in the scene.

  7. step 07

    Refine the edges and details throughout the painting.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · alizarin crimson · viridian

Mix ivory black with raw umber and white to create various shades of gray for the dress and background. Use yellow ochre and alizarin crimson for skin tones, adjusting the proportions to achieve the desired warmth.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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