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home·artworks·Madame de Porcin
Madame de Porcin by Jean-Baptiste Greuze

plate no. 3265

Madame de Porcin

Jean-Baptiste Greuze, 1774

oilRococoportraitportraitfiguredogclothingflowershair
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding the nuances of fabric and floral details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, dog, and oval background.

  2. step 02

    Establish the main areas of light and shadow using a thin wash of burnt umber.

  3. step 03

    Block in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Paint the clothing, paying attention to the folds and highlights to create a sense of volume.

  5. step 05

    Render the dog's fur with short, broken brushstrokes, varying the color and value to create texture.

  6. step 06

    Add the floral details in the hair and around the dog's neck, using small brushes and vibrant colors.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  8. step 08

    Adjust the overall values and colors to create a harmonious and balanced composition.

color palette

primary · titanium white · ivory black · cadmium red light · yellow ochre

secondary · ultramarine blue · alizarin crimson · viridian

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue. Create the dark background by mixing black and blue. Use alizarin crimson and white for the pinks in the face and flowers.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering

common pitfalls

  • →Overblending skin tones, resulting in a flat appearance.
  • →Getting the proportions of the face wrong.
  • →Failing to capture the texture of the fur.
  • →Overworking the details, leading to a stiff and unnatural look.

materials

surface · stretched canvas

required

  • ·stretched canvas (oval)
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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