apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Madame Bouchet et ses filles
Madame Bouchet et ses filles by Albert Dubois-Pillet

plate no. 4263

Madame Bouchet et ses filles

Albert Dubois-Pillet

oilPointillismportraitfiguresportraitinteriorchildrenmotherchair
some experience helpful

Recreating this painting will help students develop skills in color mixing for subtle skin tones and rendering textures using small, deliberate brushstrokes. It also provides practice in capturing the likeness and expressions of figures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and furniture.

  2. step 02

    Establish the background color and pattern using small, distinct brushstrokes.

  3. step 03

    Block in the main shapes of the figures with base colors, paying attention to the light and shadow.

  4. step 04

    Begin layering colors to build up the skin tones, using a pointillist technique to create subtle variations.

  5. step 05

    Add details to the clothing and hair, using smaller brushes and more precise strokes.

  6. step 06

    Render the textures of the chair and other furniture, using a variety of brushstrokes and colors.

  7. step 07

    Refine the facial features and expressions of the figures.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · sap green · violet

Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt sienna. Use ultramarine blue and burnt sienna to create grays and browns for shadows and textures.

techniques

  • ·pointillism
  • ·color mixing
  • ·portraiture
  • ·rendering textures
  • ·layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle variations in skin tones.
  • →Using brushstrokes that are too large or uniform.
  • →Neglecting the details of the facial features.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use high-quality paints for best results. Experiment with different brush sizes to achieve the desired level of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Ponte San Trovaso

Ponte San Trovaso

Henri-Edmond Cross

Sunday

Sunday

Paul Signac

Couple in the street

Couple in the street

Charles Angrand

Margery

Margery

Theo van Rysselberghe

Still Life with Pitcher and Vase of Flowers

Still Life with Pitcher and Vase of Flowers

Hippolyte Petitjean

The Two Sisters

The Two Sisters

Georges Lemmen

Les Petits, Montagnes Mauresques

Les Petits, Montagnes Mauresques

Henri-Edmond Cross

17. Still Life with Yellow Straw Hat 2017 by Anthony D. Padgett (after Van Gogh Nuenen 1885)

17. Still Life with Yellow Straw Hat 2017 by Anthony D. Padgett (after Van Gogh Nuenen 1885)

Anthony Padgett