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home·artworks·Madame Adélaïde de France Tying Knots
Madame Adélaïde de France Tying Knots by Jean-Marc Nattier

plate no. 8831

Madame Adélaïde de France Tying Knots

Jean-Marc Nattier, 1756

oilRococoportraitportraitfiguredresslacefabricrococo
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering of delicate details like lace and fabric folds. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad, blended strokes.

  3. step 03

    Block in the main shapes of the figure and dress, using simplified color masses.

  4. step 04

    Refine the skin tones, paying attention to subtle shifts in value and hue.

  5. step 05

    Add details to the dress, including the lace, embroidery, and fabric folds.

  6. step 06

    Paint the hands and accessories, focusing on accurate rendering of form and texture.

  7. step 07

    Refine the facial features, paying attention to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · rose madder · yellow ochre

secondary · ultramarine blue · ivory black · raw umber

Achieve skin tones by mixing titanium white, rose madder, and yellow ochre. Use ultramarine blue and ivory black to create cool shadows. Mix rose madder and yellow ochre to create the pinks and corals of the dress.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle nuances of the facial expression.
  • →Getting lost in the details of the dress and neglecting the overall composition.
  • →Using colors that are too saturated or intense.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·rose madder oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

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