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home·artworks·Mémoire des fragments passés
Mémoire des fragments passés by Leonor Fini

plate no. 1176

Mémoire des fragments passés

Leonor Fini, 1984

oilSurrealismsymbolic paintingfiguresportraitssurrealdarksymbolicfantasy
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as understanding how to depict figures in a surreal and dreamlike setting. It also encourages exploration of color mixing to achieve subtle variations in tone.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the overall dark background using a mix of dark reds and browns.

  3. step 03

    Begin layering in the figures, starting with the darkest areas and gradually adding highlights.

  4. step 04

    Pay close attention to the subtle color variations in the skin tones and clothing.

  5. step 05

    Use thin glazes of color to create depth and luminosity.

  6. step 06

    Add details to the faces and clothing, using small brushes.

  7. step 07

    Soften edges and blend colors to create a dreamlike effect.

  8. step 08

    Refine the overall composition and add any final touches.

color palette

primary · burnt umber · alizarin crimson · titanium white

secondary · ultramarine blue · yellow ochre

Achieve the muted tones by mixing the primary colors with white and small amounts of blue. Use glazes of thinned paint to build up color and create depth.

techniques

  • ·glazing
  • ·scumbling
  • ·layering
  • ·soft blending
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the subtle color variations.
  • →Creating harsh edges that detract from the dreamlike quality.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·assorted brushes (small round, filbert)

optional

  • ·palette knife
  • ·retouch varnish
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a toned canvas to start with a mid-tone ground.

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