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home·artworks·Louis XV Remettant Le Cordon De L'ordre Du Saint-esprit Au Comte De Clermont Dans La Chapelle De Versailles, 3 Juin 1724
Louis XV Remettant Le Cordon De L'ordre Du Saint-esprit Au Comte De Clermont Dans La Chapelle De Versailles, 3 Juin 1724 by Jean-Baptiste van Loo

plate no. 5150

Louis XV Remettant Le Cordon De L'ordre Du Saint-esprit Au Comte De Clermont Dans La Chapelle De Versailles, 3 Juin 1724

Jean-Baptiste van Loo

oilRococoportraitfiguresportraitinteriorrobesarchitectureceremony
experienced study

Recreating this painting will help students develop skills in painting complex figures and drapery, as well as understanding the use of light and shadow to create depth and form. It also provides practice in rendering intricate details and patterns.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the wallpaper pattern.

  3. step 03

    Establish the basic values and colors of the figures' robes and clothing.

  4. step 04

    Refine the details of the faces and hands, paying attention to accurate proportions and expressions.

  5. step 05

    Add the intricate details of the clothing, such as lace, embroidery, and jewelry.

  6. step 06

    Develop the light and shadow to create depth and volume in the figures and drapery.

  7. step 07

    Add the final details, such as highlights and reflections, to create a sense of realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · gold · blue · red · green

secondary · white · brown · black · ochre

Achieve the rich gold tones by mixing yellow ochre, burnt sienna, and a touch of white. Create the blues by mixing ultramarine blue with white and a hint of black for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery rendering
  • ·portraiture

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to accurately capture the proportions and anatomy of the figures.
  • →Overworking the details and losing the freshness of the painting.
  • →Not paying enough attention to the light and shadow, resulting in a flat and lifeless image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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